Light|Compose|Motion

The mind of a filmmaker/cinematographer
Sometimes, all you need is a backlight.
Can’t wait to start lighting for drama!

Sometimes, all you need is a backlight.

Can’t wait to start lighting for drama!

BMPC4K Portraits

Gradually falling in love with the image from the BMPC4K.

Lens: 100L and 50mm 1.4 (middle picture)

Repost from @paulcreativ 

Me shooting my Black Magic Production Camera 4K test @ Greenwich Park

Repost from @paulcreativ

Me shooting my Black Magic Production Camera 4K test @ Greenwich Park

This is my review of the Black Magic Production Camera 4K test.

I only ordered my BMPC4K in February 2014, after it was announced they were shipping therefore I feel extremely lucky to have a copy in my possession only after a 3-week wait. I have read several forums and was fully aware of the issues with the camera however it only became real when I was experiencing these first hand. Camera issues like it not booting up or booting up and seeing a fuzzy white screen that wont go away (well, went away after about 20mins! but happened each time the camera was turned on). These issues were fixed by the firmware update.

You will need at least a thousand pounds to make this camera usable in the field i.e. external battery, battery charger, SSDs, SSD dock, an SDI monitor (the screen is truly useless outdoors or in brightly-lit spaces. The camera only comes with an SDI-out and SDI monitors are terribly expensive!) or an SDI to HDMI converter, maybe an EVF (preferably one with a loop-through to feed to another monitor), a cage (this camera has no grip) and a few other things - you get the picture.

So knowing all these, why did I decide to buy the camera? It has some really good things going for it, S35 sensor (a lot better than 2.3x crop!), 4K (UHD), global shutter (no more jello), ProRes HQ (very nice codec) and the images from the BMD cameras are just beautiful, very filmic. So I was truly buying a sensor in a box and I was happy to pay the price for that. This is NOT a Run-n-Gun camera, you’d only want to use this camera in a controlled environment. This is fine with me as my 5DMk3 will remain my go-to camera and this is a luxury for narrative/high-production based work.

To be honest, I think I prefer the images from the earlier BMCC 2.5K camera to this, it looked a lot more filmic and has a wider dynamic range. I found it hard controlling the highlights as I had no tools (like an histogram) to monitor my exposure. It has a zebra function but it was distracting, so I turned it off (bad idea). I suffered a few blown highlights, perhaps the camera doesn’t handle them very well. I’m sure I’ll grow to love the images from this camera, I have no choice, I’ve made the investment!

PLEASE DONT GET ME WRONG! The footage from this camera is amazingly beautiful, but I was expecting something else (I guess one gets delusional after waiting close to a year for a camera to start shipping - I was expecting it to look like an ALEXA! Yeah at £2.3K!)

This clip was my very first test. A good actor friend of mine, Nikola Trifunovic was kind enough to give me some of his Saturday morning to get some footage. Like I said, I’m not a 100% happy with the image from the camera or perhaps I had some unrealistic expectations about the image - however, the images are beautiful. 4K is beautiful and the option for a punch in post offers a lot of flexibility! Will I be shooting everything in 4K? No, my computer just about coped with 4K footage and 4K is a lot of data to store!

Camera: Black Magic Production Camera 4K
Lens: Tamron 24-70 VC
Shot in 4K ProRes in Film Mode
Graded in Danvici Resolve + FilmConvert
Cut in Premiere Pro
Exported in 1080p h2.64

Credits
Man: Nikola Trifunovic
Shot/Edited by Olan Collardy
Music: Long Sleeves by Joel Baker
itunes.apple.com/gb/album/long-sleeves-ep/id672673729

A still from the BMPC4K.
I feel I still need to break myself into the image from this camera. It doesn’t look as filmic as the original BMCC 2.5K. The 4K footage is sharp, terribly sharp. Video mode is pants, ideally you always want to shoot film mode and maybe monitor is video mode just to look at something aesthetic pleasing.
The highlight rolloff in the BMPC4K isn’t delicious. It’s never going to be an Alexa. In my opinion, the camera doesn’t handle highlights very well, you’d need to keep a close eye on it as there are no histograms to guide you on exposure.
This is a different kettle of fish especially with a native ISO of 400. On my 5Dmk3 DSLR, i’d go to ISO 1600 knowing fully well I’d still have great footage. However, this camera needs light and lots of it, only after which you’d be rewarded.

A still from the BMPC4K.

I feel I still need to break myself into the image from this camera. It doesn’t look as filmic as the original BMCC 2.5K. The 4K footage is sharp, terribly sharp. Video mode is pants, ideally you always want to shoot film mode and maybe monitor is video mode just to look at something aesthetic pleasing.

The highlight rolloff in the BMPC4K isn’t delicious. It’s never going to be an Alexa. In my opinion, the camera doesn’t handle highlights very well, you’d need to keep a close eye on it as there are no histograms to guide you on exposure.

This is a different kettle of fish especially with a native ISO of 400. On my 5Dmk3 DSLR, i’d go to ISO 1600 knowing fully well I’d still have great footage. However, this camera needs light and lots of it, only after which you’d be rewarded.

Greenwich Park at 4K.

Prep for tomorrow’s camera test shoot #Anamorphic

Prep for tomorrow’s camera test shoot #Anamorphic

I’ve been dreaming of this day for close to a year now. Still can’t believe I’ve got this giving the back order most resellers have. I was number 170-something on CVP’s queue, jumped ship and ordered via another reseller about 2weeks ago. Now I can crack on with my drama series!

I’ve been dreaming of this day for close to a year now. Still can’t believe I’ve got this giving the back order most resellers have. I was number 170-something on CVP’s queue, jumped ship and ordered via another reseller about 2weeks ago. Now I can crack on with my drama series!

The Fine - another short fashion film I directed for lifestyle and concierge company, Essence.

CREDITS
Written by Ade Udoma
Directed by Olan Collardy & Ade Udoma
Cinematography by Olan Collardy
Creative Direction by Ade Udoma
Produced by Lucas Bitencourt
Styled by Essence London

Music: “The Very Thought of You” Nat King Cole